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Tuesday, July 15, 2008

PSR-E413 portable keyboard

Yamaha PSRE413 61 Key Digital Keyboard
Yamaha PSRE413 61 Key Digital Keyboard is an innovative new way to play the music you love anywhere you want. Yamaha unveiled this new model to function as a replacement for the PSR-E403, which is clearly inferior to the new E413. This keyboard comes equipped with two educational programs called the Yamaha Education Suite and the Yamaha portable Grand. There is also increased ability to edit and digitalize all of the sounds you create while playing. The Arpeggiator on this new unit offers twice as many choices as the previous model. Most importantly, this new model includes a usb connection port which allows you to connect and save your music to your pc or mac. This is huge for any musician to be able to record their music from wherever they want when they desire. At just 399 msrp, the Yamaha PSR-E413 is a bargain for all the accessories and functionality that come in one package. Once your songs are downloaded onto your computer, you are free to edit those songs using any number of editing softwares that are currently available. Does anyone have a preferred program for editing their keyboard music? If you know of anything that works well, please let me know. Does anyone have any experience using a keyboard that connects by USB? I would like to know what you think about this new product. Please feel free to share your comments or experiences with this keyboard or any other for that matter.

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Friday, July 11, 2008

Introduction, or Things I Really Wish I Owned

Hey there, Blogsville. I'm the guy that posted a little about Bass Guitars and their amps (with the sweet Tobias Growler at the top?) a few posts back -- just thought I'd introduce myself a little more. My name's Andrew, and I'm young compared to the rest of the team posting here at musiciansite, at an almost-comfortable eighteen years. Graduated High School a few months back and am now staring College in the face with great anticipation. Going in for Music Education and hopefully coming out a Band Director for people about the age I am now! I've actually already been teaching for awhile on the Trombone...

(the picture to the side is the Trombone I use; it's a beautiful Yamaha with dark, "Rose" brass)



...and also with my (former, now) High School's lower String Orchestra program, a group of about fifty kids. (I call them kids and they're two years younger than me. Oy, it has begun.) I got to conduct, at their last concert. And wow, I gotta tell you all, I love it to death. Blew me away, how much I loved it, actually. It's definitely my future life. Oh, and above all I'm looking forward to teaching Bass because I'm such a geek about it, and Jazz...


Ah, but the most interesting part in learning about my future profession is all the stuff it makes me want. And not like, normal musician stuff. I've been wanting a nice Bass Amp for a long time (that Eden Nemesis I mentioned in the last post? Yeah, it's still on the wish list, even though I can play my friend's whenever I want ((and do))), but that's something every Bassist wants. No, I want school stuff -- like, I want the sweetest metronome ever. And that's not something many people think about, let alone want, but having myself something like a really awesome Doctor Beat for teaching students is way high on the wish list and it would pay for itself in student learning in no time flat. (Not to mention, I could use it myself.)

Highest on the list right now is my desire for a good recording device, and I've been looking around for months. One of the coolest - and most helpful - things I ever get as a student of music is a recording of myself, so I can hear that flat I missed in Measure 64 in practice, or how the Jazz Combo sounded as a whole during rehearsal a day before the concert so we know what to work on, or the Key Change the Guitarist decided to put in at the last minute, thirty seconds from the end of the song, that he told you about just before you went on.

Sadly, these recordings were a rarity for me in High School and I wish to rectify that... and fortunately for me, I think I'm about to get something to help me do it! The Zoom H4 Digital Recorder has gotten nothing but rave reviews, and it sounds like it will do exactly what I need it to (get this: I got to talk to a rep from the company that makes it, in person, the other day, and he let me test it out). It's even easy to use! Do you know that a little red circle means record? Well, if you didn't, you do now -- hit the little red circle. You're recording.
Seriously, that easy. Hit it again to stop. And it sounds like it did when you were sitting there, recording whatever it was you were recording, at awesome quality. And if you want to get more in-depth, there's all these little features that sounded really cool but like, I know I won't be able to fully view them until I get my hands on one. I just remember it had Guitar Amplifier effects for plugging your guitar into like it was an effects pedal or something (just probably shouldn't be stomping on it). It was awesome.

Good thing these websites offer payment plans... on this budget, I could never afford 300 bucks all at once, no matter how good a deal that is for the item.
Go poor college student life. Woo Hoo!

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Wednesday, July 9, 2008

Muse Research and IK Multimedia team up for Total Workstation Rack

Muse Total Workstation Rack
Following on the heels of the Receptor Komplete the crews at Muse Research and IK Multimedia have just announced the Receptor Total Workstation Rack (TWR). It’s powered by SampleTank, and combines IK Multimedia's super-efficient SampleTank engine with the high-performance Receptor hardware plug-in player from Muse Research and ships with an exclusive red faceplate. All in all it features a huge selection of more than 10,000 sounds covering every imaginable instrument category (27 GB of samples) as well the T-RackS EQ, AmpliTube 2 DUO and Ampeg SVX UNO.

At just $1999.99 you’re practically getting the hardware for free.

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Monday, July 7, 2008

When it comes to music...

Tobias Growler 5 String Electric Bass Guitar

Man, I tell you. When it comes to music – and when it comes to cranking out your sound so everyone at your venue can hear you (and everyone within a mile of it) – it’s not just about your instrument, or your skill. Imagine sticking James Hetfield of Metallica or Geddy Lee of Rush on an Amplifier the size of your fist and running stripped, decade-old cable between them! You’d lose so much tone, and so much sound, that you might not even be able to tell a legend was behind the strings. When it comes to music, you can shred as hard as you want, but no one will notice if you don’t have some serious equipment screaming out that beastly new riff of yours for the masses to hear, or singing that smooth Bassline holding up your group.

I play a lot of instruments, and I understand that getting that sound out is different for each and every one. However, if I had to pick one musical label to attach to myself, it’d have to be the title of Bassist. I totally dig Basses, Bass products, Bass accessories, Bass Pedals… I try to give myself as many opportunities as I can to experience the low end every way it can be experienced. I've played on everything from a low-end Fender offshoot to a Bass I can hardly believe I got to run on, the extremely high-end (and may I say, totally sweet)
Tobias Growler 5 String Electric Bass Guitar. I’ve plugged into a wide range of Amplifiers from a wide range of Amp makers. So today, I’m going to talk Basses – and more importantly, the keys to their sound: Bass Amps.

I play a Fender Standard Jazz 5 String, myself. Not the most expensive of Fingerboard Basses in the world (And let me tell you, that Tobias Growler is incredible, despite it being ridiculously expensive), but it’s got a sound I love. The strings and especially the fingerboard feel just right on my hands, and it grooves like no other for me. And I don’t just play Bass, I’m all over the Rhythm section, and I play a lot of brass instruments, too. No coincidence – I’m a Jazz Bassist, and I know this baby sounds awesome from every part of the Jazz Combo. It backs you up and takes the lead seamlessly, and feels right the whole way through. I’m a big fan of Fender instruments in general because Leo Fender himself was intent on bringing the Electric Bass to the masses, but this instrument shows that the sound on their merchandise holds that ideal true.

However, my Five String J-Bass has also had many hookups in its time. It has seen quite a bit of the market: I got it with a low-end Ibanez amp, and as I felt more and more at home with my bass, I started to wonder why my sound wasn’t coming through like I thought it could. The Ibanez was great to start on, and I was getting a sound out and it was cool because I could play whatever I wanted and hear it, but it just wasn’t quite right...

Then it happened: I hooked up to my friend’s Eden Electronics Nemesis Bass Guitar Amp through some high-end Monster Cable, and realized my sound was going to the void of hookups that just weren’t there in my little home practice setup. The out-of-the-box programs are like no other when it comes to the need to just feel the frets, make the sound, get your technique down and understand the mechanics of the music. But once you’ve got that down and you feel like something’s just missing, well, you’re probably right. You’re missing the next step up in your equipment, be it your amplifier or your cables or even your instrument, and once you feel like there’s a ceiling that your sound is getting trapped under, it’s time to step up. I’d heartily recommend the Nemesis line for any next-step-up Bassists (they’re all mid-range pricing – not professional quality, but the equipment you need to break the barrier). However, the need to step up equipment occurs amongst all musicians! When you’re ready to step up, no matter what you’re playing, I encourage you to start looking, start asking, and find those amps and cables that will take your sound one step closer to perfection.

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Thursday, July 3, 2008

Choosing the perfect Guitar Package

For the beginning guitarist, a guitar package is a wise investment. Guitar packages come with everything one could need when learning to play the guitar. The main choice when looking for one of these packages is between an electric and an acoustic package. When making this decision, consider what type of music you want to learn. The future rock-and-roll star may want to focus on an electric guitar package because of the included amplifier, making it easier to play along with a band or add effects such as overdrive. If you are striving to become the next singer/songwriter or play traditional tunes, an acoustic guitar package maybe what you are looking for.

You may notice that there are many electric guitar packages to choose from and the differences tend to be personal preference. The guitars themselves really depend on the look of the guitar and the pickup configuration. Two of the most popular styles of electric guitar would be the Squier Stratocaster (Fender) and the Epiphone Les Paul (Gibson). The Stratocaster displays three single coil pickups that provide a smooth mid-range type of sound and the Les Paul features two humbucker pickups that exhibit a hotter, edgier sound. It is really hard to go wrong with any electric guitar package choice.

Acoustic guitar packages tend to be a little easier to decipher because of their what you see is what you get contents. The acoustic guitar usually comes in two choices: Acoustic and Acoustic Electric. The acoustic electric guitar is just like the standard acoustic guitar but includes an electronic pickup system that allows you to plug the guitar into an amplifier.

Both of these package types usually include a wealth of accessories including picks, straps, cables, amplifiers (with electric packages), tuners and more. Some great online stores provide quality choices of each type of package including American Musical Supply and Electricguitar.com.

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